6 March 2005



Magnus Christensson

Posted in Design Process

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Yesterday I had a friend visiting me and as usual our talk drifted into work. Since he is an architect with a focus on large scale development we talked about the idea of user-centric city planning and what input a user observations and co-creation might bring to the table.

I know many architects use the methods I refer to and that the design and architecture processes are born out of the same thoughts. However, the table i mention above is not placed at the architect but rather at the city council - at least that is the case in Sweden and Denmark. I understand that architects are involved in the planning but my friend told me that user-centric methods are not common practise when politicians decide on the development of a given area within a city.

Personally I would love to try the design process on a large scale city planning project. After all the result of such a project directly effect peoples lives so I guess its fair to say that it would be relevant to know how people live and how they would like to live their lifes in the future before you start investmenting in a project like that.

PS. Imagine bringing the above thoughts into a project of this size…DS.

 

6 March 2005



Hans Henrik H. Heming

Posted in Product Design & Development

No Comments »

I think the concept of engaging personas and narrative scenario explores personas in the light of what what it is to identify with and have empathy with a character. You can say that the concept of narrative scenarios views the narrative as aid for exploration of design ideas. Both concepts incorporate a distinktion between creating, writing and reading.

Lene Nielsen has some very interesting perspectives on the issue.

Boxesandarrows has an interesting article on "Use of Narrative in Interactive Design", I think it does apply on design in general. Doesn’t it?

 

5 March 2005



Jacob Bøtter

Posted in Graphic Design

4 Comments »

british_petroleum.jpgIt’s saturday and I am going allow myself to do something a little funny here. A guy called Matt Siber has been doing something quite amazing. He’s been taking photos of tall poles with logos upon them. After that he manipulated them and removed the poles. That made the logos float, and the result is rather impressive.

 

5 March 2005



Hans Henrik H. Heming

Posted in Design Management

3 Comments »

In todays world where speed is king you have to organize in new ways. Too many disciplines focus on completeness of information for solid decision-making.

Chris Conley from Institute of Design did a presentation on exactly that topic last spring linking Design and Innovation.

One of his conclusions was – “Generating early possibilities drives projects foreward”.

I had hoped for a more updated weblog from Chris, he promised me few weeks ago :-)

 

4 March 2005



Jacob Bøtter

Posted in Rants

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They do it all over the globe. They do it hard in Texas. They do it even harder at Stanford. Some cool guys are involved in that.

In case you are wondering I am talking about taking a serious education on innovation, creativity and the like. I am wondering why Northern Europe’s Largest Business University isn’t offering anything in this field?

In Denmark we used to have a superior education in innovation and creativity but now it’s more or less inactive or atleast not as recognized as it used to. I am a typical dot.com kind-of-guy, with no education other than my exam papers from the gym. Seriously thinking about going back to school, I’ve been looking into my possibilities. To say the least I’ve been very disappointed. I need something near, I need to get away from Denmark and most of all get away from a Pro-SoftwarePatents country. Sorry for the political post there.

Please give me your recommendations on any education near Denmark. I am very much in love with UK, so London or any other UK city would be great! I am willing to travel in UK, Sweden, Norway, Finland and maybe Switzerland. As long as I can speak English there, I’m fine. I had both german and spanish at school, but I have no clue what so ever how to speak it any more.

 

4 March 2005



Magnus Christensson

Posted in Design Process

No Comments »

Peter Merholz has posted a very interesting
review of the Institute of Design’s Strategy Workshop. After
describing some models by Clement Mok, Peter goes on to presenting the
views of Peter Coughlan - the head of the transformation practice at
IDEO. The transformation practice is where IDEO really goes into managment
consulting and help companies become more innovative (at least in the IDEO way). In
many ways the practice represent the new role of design or at least the new
ambition of design.

Apart from talking about co-creation with the client - a way of work which
in it self demands new skills from the design team - Peter Coughlan
also presented the challenges in using design as a metod for organizational
innovation.


Fear of open-ended process

Clients want to KNOW what the
results will be. Which, of course, goes against a truly exploratory
process. Or they’re afraid that the process will get them nothing.

• Coming in without answers,
just a process

Typically this kind of
organizational change is practiced by management consultants, who come
in with answers. IDEO just comes in with process. Clients who are
expecting answers right away get antsy.

• Cultural fit with clients –
creating a space for success

Designers at IDEO simply behave
differently then the folks at their clients’ offices, and it can take
a while for everyone to come together.

I find the above very interesting as it pinpoints three
obstacles we - who work with design as a method for business
development - face when we try to show the companies the value of the
design process and change the perception of design from a end-result
to a way of work.

 

4 March 2005



Hans Henrik H. Heming

Posted in Design Management

No Comments »

James Woudhuysen asks himself this very important question.

Design managers might find it fashionable to prostrate themselves, in the modern egalitarian style, in front of an oh-so-playfully-creative, participative, empowered and personally autonomous workforce. They may dupe themselves that everyone can be a leader. But the true design leader will be remembered for the progress won, the new businesses established, and for the insights developed, tested in action, and communicated in unambiguous words, numbers, graphics and presentations.

Any other concept of leadership is just fluff.

This is key – if you can’t link designsolutions to bottom line it doesn’t matter at all. Being part of a designprocess – or even the leader of the process – doesn’t mean anything if you’re not able to improve business in the end. Or what?

 

3 March 2005



Jacob Bøtter

Posted in Design Process

4 Comments »

John Tunney has got some excellent views on creativity and recently he made a post regarding something that he calls Peripheral Viewing. I have had the time to read it all, but it sure sounds interesting. Browsing through a bunch of images and then asking yourself what sort of ideas that made, seems like great workout for your brain. This might be the cure for "Designers Block" everyone. For those that are unfamilair with Designers Block, it’s the equivalant to "Writers Block". This is also a great example of how business execs can benefit from designer techniques and processes, i’ll leave it up to Magnus to go into a deeper discussion on the matter of design processes.

 

3 March 2005



Hans Henrik H. Heming

Posted in Design Management

No Comments »

Few months ago I discovered a german weblog about Design Management. The weblog is maintained by Ralf Beuker. It’s highly recommendable – and a valuable source of information on different design matters.

Take a look.

 

3 March 2005



Hans Henrik H. Heming

Posted in Design Management

No Comments »

EDF has been around for a while. It’s a good initiative, but as a Dane I have to ask my self - why dont’t we have any danish representatives in the club? Shoulden’t we?

"The EDF network aims at presenting a dynamic forum for European
cooperation devoted to the exchange of knowledge and experience in the
area of design. Through the programme of its activities, the EDF
network wants to extend research and knowledge in the field of
contemporary design in Europe as well as develop close connections with
design centers, museums, schools and academies, taking into account the
evolution of design at a professional, educational, cultural, economic
and societal level. Moreover, the EDF looks forward to underlining the
innovative character of design in Europe corresponding to a
contemporary way of thinking. Design is envisaged in relationship to
management, communication, education, museography, and culture. This
project has been carried out with the support of the European
Community."

 

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